There are many actors who deliver everything they’ve got as soon they step on screen, and by God, Ryan Gosling is one of them. The man is a chameleon; he slips into every role he plays and disappears into the character, whether it be dramatic or comedic, a small part or a large one, he’s just so incredibly watchable. To celebrate the release of Blade Runner 2049 let’s take a look back at some of his best work.
Honourable Mentions: The Notebook, Half Nelson, Lars and the Real Girl, and for many, Only God Forgives.
Crazy, Stupid, Love (2011)
First up is a modern Rom-Com that blows most others out of the water, starring Steve Carell as Cal, a married father who finds himself dating again when his wife Emily (Julianne Moore), the only woman he’s ever been with, asks for a divorce. On the scene to help him is Jacob (Gosling), a smooth talking womaniser who teaches Cal his shallow ways, though finds himself attracted to law student Hannah (Emma Stone), though she’s not as easily swayed. Crazy, Stupid, Love is one of the best Rom-Coms ever made; it’s hilarious, it’s wholesome and the cast are magnificent. It has some serious ups and downs throughout the run time that will have you feeling every single one, but at the end of it all, it’s a feel good film that delivers on all fronts.
The Place Beyond the Pines (2012)
Next, we have the first of two collaborations with astounding director Derek Cianfrance, starring Gosling as a carnival stunt performer who discovers he has a child, and begins robbing banks in order to provide for him, whilst Bradley Cooper plays a cop struggling to deal with the corruption in his line of work. Cianfrance has a stunning visual style that compliments every moment of this film, which admittedly loses it’s way a tad come the third act. Nevertheless, it’s a solid drama that takes you to places that you aren’t expecting, and strikes you to the core with it’s haunting soundtrack.
The Nice Guys (2016)
Yes, this has only just come out, but I’ll be damned if it isn’t one of Gosling’s best. Russell Crowe is a fixer who dreams of being a PI, and Gosling is a PI who just isn’t very good at his job, nor is he that good of a father, both living in 1970s LA. Their paths cross when they start an investigation into the death of a porn star, and before long, the mismatched pair are dedicated to finding the truth. The Nice Guys is Shane Black doing what he does best; a buddy cop comedy set at Christmas with a lot of heart and lot of humour. Crowe is fantastic, and Gosling gives one of the best performances of his career. His comedic timing is absolutely perfect, and he kills it in the films more personal moments. But the real scene stealer is Angourie Rice as Gosling’s daughter, who dominates the screen with her quick and innate likeability. She’s only 15 years old, but she’s definitely going to be a star. The Nice Guys is hands down one of Gosling’s best films, and one of the best films of the year so far.
Blue Valentine (2010)
2/2 for Derek Cianfrance, in quite possible one of the most depressing films ever made. Gosling stars alongside Michielle Williams as a married couple who’s relationship is crumbling, and they spend a night in a futuristic motel to save their marriage, in between flash backs to when they first met and how the relationship soured. Blue Valentine is a crushing film; I analysed it deeply for an article earlier this year and truth be told, it is a terrifying film that is unrelenting in it’s desire to hit you hard. Gosling and Williams are outstanding together, and the film is quite beautiful in a melancholic way. The film has so many levels to it, that looking too deep into it will make the experience more painful that it needs to be, and it might even bring you to tears. But it is an exceptional piece of filmmaking that deserves all the love it can get.
Finally, there is no way we could leave this film out. Arguably his most iconic film to date, Drive is the story of a mysterious mechanic/stunt driver/getaway driver who falls in love with his neighbour (Carey Mulligan), and finds himself battling trouble from just about all sides of his life. Drive is an inexplicably brilliant piece of cinema; so perfectly crafted from it’s cinematography to it’s soundtrack, its performances to its script, to just about every little detail. It’s a beautiful, enthralling, unforgettable film, showcasing Nicolas Winding Refn as one of today’s greatest directors, and is without a doubt one of the greatest films of this decade so far.
Blade Runner 2049 is out now!